Sophie Doyle

Education Assistant at the National Gallery of Ireland.
Listen Now Again exhibition.

‘You are like a rich man entering heaven
Through the ear of a raindrop. Listen now again.’

The Rain Stick
Seamus Heaney

Full episode

Sophie Doyle, Education Assistant at the National Library of Ireland. In our conversation, Sophie shares her extensive knowledge of the Listen Now Again exhibition, which celebrates Seamus Heaney’s life and work and is housed in the new Cultural and Heritage Centre, Bank of Ireland, Dublin.

Podcast episode recorded in collaboration with the JCT English Team

 
 

Some teacher reflection questions

Section I : 00:00 - 10:00 - Listen Now Again

One of the, the most unassuming things in this section, I think is actually his desk, which is a really interesting piece because I think everybody that comes in and sees us is often very struck by it

Questions

The title of the exhibition comes from the final line in Seamus Heaney’s poem The Rain Stick. He was inspired, Sophie says in the podcast, by the unexpected music of this instrument.

Q. Can you think of a time when you were inspired by something unusual or unexpected?

The exhibition is in the heart of Dublin city centre and aims to be a space for visitors to breathe, sit and be.

Q. Where do you find space for calm in your everyday life?


Section II : 20:00 - 25:00 - Creativity & Conscience

And I think that's, what's great that students can, can see this and think, okay, well, if Seamus Heaney started making mistakes and they've Seamus Heaney made mistakes with word choice or sentence st

Questions

Creativity reveals Heaney’s craft as an artist. Sophie gives the example of Heaney’s poem Postscript which Heaney continued to edit and change even after publication.

Q. Can a piece of writing ever be complete, in your view?

In Conscience, Heaney manages to address political issues indirectly. A Constable Calls is seen through the eyes of a child, yet also comments on the political situation at the time.

Q. How important do you think it is for poets and writers to address political issues? Do you think it is better to adopt Heaney’s  indirect approach, or do you think writers should be more direct? 


 
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For more on the Listen Now Again exhibition, click here.

 

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